Skip to main content

Parent, Teacher and Child Triangle

The parent, teacher and child triangle comes up a lot in Suzuki education.  The reason why this image is discussed ad nauseum is because there's really a lot of layers to the concept, all of which need to be in place in order for learning to take place.

The first thing to notice is that in a triangle all sides are equal.  Successful music lessons are not about the teacher being all-powerful and bestowing the gift of knowledge upon the lowly minions.  Every part of the triangle has a job.  If any part is missing, the triangle collapses.

The second thing to understand is that music lessons are a give and take experience.  Everyone needs to be on the same page.  The student will struggle.  Struggling is necessary for growth to occur.  But it is important that the student knows what is expected of him.  It cannot be the parent or teacher doing all the work.  The student must contribute as well, even if it is only a grudging contribution.

Finally, the key element that holds all sides together is communication.  A teacher can only do so much if the parent fails to voice issues that arise at home.  A parent is limited if they do not understand what it is that the teacher expects.

Comments

Popular posts from this blog

Interview with Michiko Yurko on Music Mind Games and Sight-Reading in the Suzuki Method

Welcome to Rethinking Genius, Michiko! Please introduce yourself and tell us about your company, Music Mind Games. Hi, Danielle! I am Michiko Yurko and I am the creator of Music Mind Games, a project I have been working on for 40 years. It’s been great! Music and education were important to my parents. Although they followed different professions, my father sang and my mother played the piano. I was always supported in my music and dance lessons and related activities so I have very positive memories of those years. My mom was an elementary classroom teacher and her extraordinary devotion to her students and her creativity taught me to be innovative in my own work. Music Mind Games, LLC was founded in 2005 after Warner Bros (my publisher for nearly 20 years) was sold to Alfred. Although they believed in my work and continue to publish the book Music Mind Games, Alfred said they could not afford to produce the Music Mind Games materials. My husband, Cris and I discussed all sor...

Like Brushing Your Teeth

One of my teacher trainers told me that practicing should be like brushing your teeth. There is never a day when your tooth brushing is affected by other events in your day. The process is completely emotionally detached. I mulled over her words of wisdom for quite some time after she said them to me. What struck me the most was the suggestion of emotionally detaching myself. All my life I have been told that music is supposed to express emotion. So it was almost like it would be wrong to try and strip that away. For me, the teeth brushing example was a very interesting concept. I realized that the level of habitual repetition of that daily routine is rarely achieved in any other life areas. Dishes get put off, vacuuming, shopping for groceries.... but I always make the time to brush my teeth. Always making the time for practice? A lofty ideal indeed.

Interview with Dr. Molly Gebrian on the Neuroscience Behind Block vs. Random Practice

Welcome to Rethinking Genius, Molly! Can you tell us a little about your background in teaching and neuroscience? Thank you for inviting me to do this, Danielle! I was a Suzuki kid myself (I studied with David Einfeldt at the Hartt Suzuki Institute from the time I started at age 7), and I’ve done some Suzuki teacher training, but these days, I’m a college professor teaching at the University of Wisconsin-Eau Claire. I’ve been teaching for about 15 years, from 4-year old beginners, all the way up through graduate students. As far as neuroscience goes, I was a double-degree student at Oberlin College and Conservatory, majoring in viola performance and neuroscience. I had no plans to continue with neuroscience (it was just something I found fascinating, that I did for fun!), but when I got to New England Conservatory of Music for grad school, something was missing. My roommate at NEC, who had also been at Oberlin with me, participated in a study at Harvard looking at musicians’ versus ...