Skip to main content

Virtually Relearning Everything About Teaching During COVID-19

My apologies for the lag in blog posts!  As of writing this post, we have been in COVID-19 quarantine lockdown for about five weeks.  I find the memes and jokes about suddenly finding all this time on your hands hilarious but they don't exactly ring true if you have young children.

While there have been quiet moments for me, I haven't felt the willpower to write anything.  Writing--even if it's nonfiction--requires a certain amount of "creative juice" and I found that I just didn't have that in me at first.  Too many things were changing.  Too many little stresses added up to make me prefer relaxation over creativity.

So many online teaching resources suddenly exploded into existence when the lockdowns started.  It's been absolutely amazing to watch happen.  Many teachers that were suddenly bursting with creative juices when presented with this new challenge of 100% online lessons.  I think that has been a wonderful balance for teachers like me that would have been content to sit back and just take it all in for months.

Now that the proverbial dust has settled a bit at my house, I feel like I'm able to appreciate what this change has done for the music teaching community.  Obviously, I would have preferred this sort of change to have been sparked by a less horrible scenario.  But that seems to be an ongoing theme with humanity: we thrive with strife.  It seems to take horrible events to really break us out of our ruts.

I love how this experience has forced everyone into the 21st century.  Technology certainly has its limits but we have intentionally held ourselves back simply because a portion of the population just did not want to learn how to use technology.  There seems to be a growing feeling of openness and learning.  Whereas before there was no need to try a new approach, that need has now been forced upon us.  New ways of communicating, new ways of creating a community... in many ways people are becoming closer because of this shared experience.  Not having toilet paper is something that everyone can relates to, ya know?

For my own personal studio, it's been really interesting seeing my students in a different setting.  It's made it clear to me what things are successful with my teaching and which things are not.  So many of them had to learn how to tune!  Knowing how to tune and working up the guts to actually turn the pegs are apparently two different skills.

I still strongly dislike not being able to physically show students how to do things.  Online lessons require considerably more talking and often just to explain one small adjustment that would have taken me three seconds to show in person.  But this has given me the opportunity to reassess how much really needs to get done in a lesson.  I've been trying to take the Suzuki goal of "one point lessons" to heart.  If it takes thirty minutes to explain one pinky adjustment then so be it.  It is not lost time.

I've also been trying to use the opportunity to have my older students do things like music theory workbooks.  Since we do so many theory activities in our physical group classes I had not felt the need to have my students do workbooks as well.  But this has been a nice addition to the online lessons.  It's something that's easy to work and ask questions.  I picked a workbook series for them that also has an ear training portion.  This has made me feel better about the lack of intonation and tone exercises in our online lessons.

Adaptation is the key to survival (to quote Star Wars Clone Wars).  There have been some good things and some annoying things about adapting to this new teaching environment but it's heartening to me to see so many trying to adapt.  That we can change.

Comments

Popular posts from this blog

Like Brushing Your Teeth

One of my teacher trainers told me that practicing should be like brushing your teeth. There is never a day when your tooth brushing is affected by other events in your day. The process is completely emotionally detached. I mulled over her words of wisdom for quite some time after she said them to me. What struck me the most was the suggestion of emotionally detaching myself. All my life I have been told that music is supposed to express emotion. So it was almost like it would be wrong to try and strip that away. For me, the teeth brushing example was a very interesting concept. I realized that the level of habitual repetition of that daily routine is rarely achieved in any other life areas. Dishes get put off, vacuuming, shopping for groceries.... but I always make the time to brush my teeth. Always making the time for practice? A lofty ideal indeed.

Interview with Michiko Yurko on Music Mind Games and Sight-Reading in the Suzuki Method

Welcome to Rethinking Genius, Michiko! Please introduce yourself and tell us about your company, Music Mind Games. Hi, Danielle! I am Michiko Yurko and I am the creator of Music Mind Games, a project I have been working on for 40 years. It’s been great! Music and education were important to my parents. Although they followed different professions, my father sang and my mother played the piano. I was always supported in my music and dance lessons and related activities so I have very positive memories of those years. My mom was an elementary classroom teacher and her extraordinary devotion to her students and her creativity taught me to be innovative in my own work. Music Mind Games, LLC was founded in 2005 after Warner Bros (my publisher for nearly 20 years) was sold to Alfred. Although they believed in my work and continue to publish the book Music Mind Games, Alfred said they could not afford to produce the Music Mind Games materials. My husband, Cris and I discussed all sor...

Interview with Dorothy Jones on Suzuki Early Childhood Education

Welcome to Rethinking Genius, Dorothy! Please introduce yourself and give a us a little background on your history with the Suzuki Method. I am a Suzuki specialist in Early Childhood Education.  I founded a Suzuki School in London Ontario Canada. In 1993, the ISA approved my program in Early Childhood Education and designated my school as a world Teacher Training Centre. Past President of the Suzuki Association of the Americas (SAA) past board member of the ISA, I was a founding member of the Board of the Suzuki Association of Ontario and served as President of that organization. I have been a Suzuki parent, Piano Teacher Trainer and keynote speaker at conferences and workshops around the world for over 41 years. I am recognized as a Suzuki Early Childhood Education (SECE) teacher trainer in the Suzuki Association of the Americas (SAA), the European Suzuki Association (ESA) and the Pan Pacific Suzuki Association (PPSA). Explain to us what Suzuki Early Childhood Education (...