Thoughts and experiences while exploring the Suzuki Method of teaching.
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Benjamin Zander: The transformative power of classical music
Benjamin Zander has two infectious passions: classical music, and helping us all realize our untapped love for it -- and by extension, our untapped love for all new possibilities, new experiences, new connections.
Over my years of teaching I've come across a wide variety of interpretations about the private teaching business model. I feel that this is a natural result of the type of society we live in. Many services these days are either "subscriptions" or "appointments." For example, a gym membership is a subscription. You pay a monthly fee to use the facility at any time during their hours of operation. A doctor's visit or a haircut is an "appointment." You call ahead to set up a time, you show up and then pay after the services have concluded.
With most services falling into one of these two categories, most people try to rationalize music lessons as one or the other. However, music lessons are neither subscriptions or appointments. They are actually a combination of both if the business entity is going to be successful.
The reasons why this hybrid business model occurs are:
1) The service itself is centered around personal attention (appointmen…
Victor Wooten is an innovator, composer, arranger, producer, vocalist, and multiinstrumentalist. He has been called the greatest bass player in the world. He is a skilled naturalist and teacher, a published author, a magician, husband and father of four, and a five-time Grammy award winner.
My husband and I both love disc golf. It's something that we both started together as beginners together so it became "our" thing to do as a couple. We eventually got to the point after playing for a few years that I wanted to attempt playing in a disc golf tournament. He was a bit more hesitant than me but I insisted, arguing that it would be a fun way to really test our skills.
I've written a few posts before about how playing disc golf taught me the value of muscle memory. But during our first few tournaments we both quickly discovered a whole new category of unexplored skills: performing under pressure. To be blunt, we both stunk.
As a musician, I was no stranger to performing. I've lost count of how many solo/orchestra/chamber performances I've done. Before that first tournament I had assumed that performance anxiety wouldn't affect me because of said experience. I was just going out there to have fun, right?